What is the origin of music? Is non-human life only the evolutionary basis of our music, or is "music" a more fundamental feature of using the acoustic channel for communications - an implicit phenomena (or epiphenomena) of bioacoustics?

These questions are central to my current approach to music making. Rather than appropriating biological systems as template for experimentation, I use the structures and aesthetics in non-human musical systems to play the music of Nature. More specifically, bioacoustic algorithms are implemented as software, and executed in realtime on computer hardware.


We might in fact argue that the truly potent texts of our time are certainly not texts like this book, or even true scientific theories, but computer programs. Here, the religious or mystical potency with which the medieval text was imbued has been replaced by actual physical efficacy. For the text of a computer program can act on the world through associated electronic and mechanical hardware, to make the world anew

Trevor Wishart, "Audible Design"

Publications


(2007) Michael, David M., Artificial Anuran Choruses, Proceedings of the Workshop on Music and Artificial Life, Eighth Annual European Conference on Artificial Life.

(2006) Michael, David M., Musical automata as dynamical systems, Adaptive Behavior, Vol. 14, No. 2, 139-146 (2006)

(2005) Michael, David M., Experimental synthetic birdsong, musical automata as dynamical systems, European Conference of Artificial Life supplemental materials.

(2005) Michael, David M., "Evolved neural dynamics for synthetic birdsong", MSc Thesis, University of Sussex, Brighton UK.

Projects


The Scientific Forestry Service, 2008

The Scientific Forestry Service is an audio label releasing long-form natural soundscapes, documenting the Earth's biophony, and exposing the musical structures of non-human organisms using the acoustic channel.

Scify002 The Beaver Ponds in Clanton, SCIFY002

Its early June in Clanton, Alabama. Huge choruses of frogs and toads soak the early evening with syncopation against the backdrop of cicadas and evening songbirds.


Scify001 American Toad Chorus, SCIFY001

American Toads harmonize around a small pond in Ithaca, New York. The chorus is joined by Green Frogs and Spring Peepers. Pickerels are hiding in the reeds


Artificial Anuran Chorus, 2007

Prototype An artificial anuran chorus is built by simulating a population of signalers and their spatial distributions. This project emphasizes of the use of Artificial Life models in music as a literal imitation of nature.

Pine log, embedded computer, custom software.


Céline: "Elapsed Time", M-tronic/U-pop, 2006

Elapsedtimecover A pop-electronic collaboration between vocalist Céline Lambert and a battery of producers including Nate Harrison (NKH), Funckarma, Ulrich Schnauss, EU, Mr Projectile, Displacer and David Michael. Produced between 2001 and 2004 with support from The Record Camp Label and Töshöklabs.

The following tracks were composed, written, recorded, and produced by David Michael with vocals written and performed by Céline Lambert unless otherwise noted.

I'm OK, You're OK, !hksint'l, 2004

Selected Linear An album of linear electronic works that make it OK.

All tracks produced at the Sideman Estate and Hablab, STP Studios Brooklyn 2001-2003.
© & P 2003 !hksint'l/DanzAmerica ASCAP




All Over Me: The 3-Way Maxi-Single, 2003

Recordcamp R&B before JT. Original version available on The Record Camp Label's "Brooklyn Keeps on Takin It"
© & P 2003 !hksint'l/DanzAmerica ASCAP






Jay Salino : "Here Is", Statra Recordings, 2001

Co-produced with Nick Chacona (Pool Party, Statra, Mood Music)
Produced at 262 E 2nd. Mixed and mastered at the Sideman Estate.
© & P 2001 Statra Recordings ASCAP

Musical Performance

Between 1998 and about 2004 I produced and performed music with a number of collaborators in New York. In addition to DJing dozens of clubs, performance highlights include

  • Whitney Muesum of Modern Art: Bitstreams opening exhibition
  • Appearance with Céline, opening for Funckstorug at Pianos (2002).
  • SINFest 2000 (with toskoklabs).
  • Knitting Factory, NYC: Record Camp artist showcase.
  • Blasthaus Gallery, SF (1999): with Basicray.
  • Dumbo Arts Fest (2000).

Invited talks

  • "Ruby Meet World: an introduction to programming the Arduino with Ruby", NYC.rb, 2008
  • "Artificial Anuran Choruses", Music and Artificial Life (MusicAL) Workshop, as part of the European Conference on Artificial Life, Lisbon Portugal, 2007
  • "Musical Automata as Dynamical Systems", Workshop on Agents and Dynamical Systems, as part of the European Conference on Artificial Life, Canterbury UK, 2005
  • "Youth 2 Youth Program", Whitney Museum of American Art, New York, 2001

Education

University of Sussex, Brighton, United Kingdom
Master of Science in Evolutionary and Adaptive Systems
2005

New York University, New York City, New York, USA
Bachelor of Music in Music Technology
1999


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